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I live in Sussex and work from a studio at home. Although I did a Bachelor
of Science degree at University, art has always been a great love in my life. After
my children were born, I attended Life Drawing classes with Artist Babette Adrian
in East Grinstead. Wanting
to expand my experience, I have also taken classes with the amazing contemporary
Artist Emily Ball at Seawhite Studios in Partridge Green.
Life - The human figure is amazing. I love it.
I can people-watch for hours, often studying an interesting aspect
of a face or physique or an unusual combination of shapes. The
human form is fascinating in every aspect - energy, strength,
movement, flow, shapes, contours, colours, tones, texture, dimensions,
proportions - similar, yet so incredibly varied and unique to each.
Sea - The sea has always been a major source
of inspiration. Having explored, photographed and painted some
of the Northern California coastline, I am now turning my attention
to areas of the English coastline that I love, both in Cornwall
and Norfolk.
Birds - Birds, both real and imaginary are fascinating
subjects to paint. Ostriches
are so full of character with the most amazing array of facial
features and expressions.
Commissions - As well as drawing and painting
what I like, I also accept commissions and will consider and
discuss various subjects and opportunities.
Portraits and Figures. As you can see from the
examples of my work on this site, I am equally enthusiastic to
produce work in portrait or full form, clothed or nude, and in
charcoal, pastels, mixed media or oils. Naturally I love to work
from life. To capture the essence of a person, I prefer to observe
their energy and movement first hand. Where it is not practical
to have the subject model for the entire time, I like to meet
and observe them and take my own photographs so that I can recall
their special individual energy and presence. I use this approach
a lot in my work with children’s portraits.
Children’s Portraits - Children are so
full of energy and enthusiasm that it is almost impossible to
have them sit for a portrait for any length of time. To capture
the look of a child, I first discuss with the parents the angles
and expressions that they feel are most characteristic of their
child or children. During this time I observe facial expressions,
movements, personality and characteristics. Then with
the assistance of a parent, I take a number of photographs. The
parents select the images they like best, and the portrait is
completed working from the chosen photograph or a combination
of life and photographs.
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